Denver Designers Weigh In About the Future of Fashion During a Pandemic

Throughout history, style has frequently been a sign of cultural amendment. One excellent fashion transformation covered the 1960s hippie movement where clothing shifted from polished and adapted a-line dresses with suits to a world complete of colorful tie-dye, headscarves and a insurgent outlook due to the unrest and disturbance in the country. Influenced by means of rock bands in the 1990s, fashion overhauled once back and made room for plaid, distressed denim and battle boots. Fast-forward almost 30 years and we are now faced with an alternate fashion reconstruction due to social and political unrest and a everywhere pandemic.
Here, 303 Magazine connected with four noteworthy and extremely talented Denver designers — all beyond participants of Denver Fashion Week and discussed the destiny of fashion.

Seated in a large number of studios, workspaces and offices, many Zoom calls attached author to designers. Various backgrounds, sounds, colours and atmospheres showcased self reliant concepts inside of these outstanding minds, yet they collectively spoke identical words. The famous MENEZ brothers talked the destiny of new collection ideas; solo Tomboi international designer C.R. Lee explained how the pandemic converted the manner we look at fashion; the vivacious Electric Bubblegum reinforced the idea of online presence; costly and supreme designer Royal Outerwear made a case for the continuation of streetwear-inspired apparel.

Through the months of abnormal time wherein spring and summer fashion displays world wide could have been scheduled for crowds of thousands, those Denver designers used the time to pause, reflect, visualize and create.
Photo courtesy of MENEZ.
Model, Alicia Myers. Hair, James Mucker. Makeup, Tennisia Littleton Broberg. Photographer, Robin Fulton. Photo courtesy of MENEZ.
While their many pet birds chorused in the background, Vinny and Saul of MENEZ discussed the future of fashion.

Part of this rearrangement came to fruition as Alessandro Michele of Gucci reduced their number of runway displays according to year from five to two. “As excellent as individual shows can be, as a whole they’re unsustainable — excessive in terms of cost, time, and waste,” Nicole Phelps, author for Vogue explained.
In agreement with Gucci, MENEZ explained why their logo prefers a lesser amount of runway displays.

“We just need to make sure everyone is safe, first and foremost. We are focusing more on the behind-the-scenes creative projects and operating on stuff we have never done before. You get more creative as a substitute of simply pushing stuff out.” During the months of stay-at-home orders and while their Italian manufacturing apparel plant became closed, MENEZ used their artistic freedoms to dive into new collection ideas such as sculpting and headpieces.
Photographer, Esther Lee Leach.
Paris Fashion Week Show Producers
Similar to MENEZ, C.R. Lee — who recently appeared on the Tamron Hall Show — explained how the pandemic already modified the way we appearance at fashion and pointed out a rebrand of her label is underway. “It’s definitely taken out the surfaceness of style,” she famous.

“It turned into all about the way it looked and I think it’s in fact changed it to where it’s gotten back to the emotional connection we have with our clothing, the buying adventure and the customer retail relationship.”
“Purpose” stood out as an alternative word the Denver creative used to describe her attitude on the way clients moving ahead will believe of fashion, and she suggested instant fashion brands are negatively impacted by the use of this shift. “You see it with the shop closures and you see it with how people are consuming various things,” Lee explained. Throughout this change, the Paris Fashion Week alum supported the concept that high quality, lasting apparel is necessary for extended wardrobes. She also believes patrons are comfortably handy to support inventive people when designing undying pieces.
Photo courtesy of Electric Bubblegum.
Photo courtesy of Electric Bubblegum.
Online presence from brands proved to be critical all the way through the pandemic, Mariah Hodges of Electric Bubblegum explained. The younger and creative attractive fashion designer communicated from her newly renovated purple Denver studio that on the grounds that the pandemic started out her online earnings higher 75% with loungewear and accessories the maximum sought-after items. “I believe style is going to grow to be more lounge,” the bubbling dressmaker explained. “I believe there will be a shrink in formal wear due to events, which is sad.” The year-round fashion designer plans to keep her seasonless collections, wherein hoodies and crop tops are introduced across the entirety of a year, and she expects the brand’s future style shows to be on hand by way of online mediums.
Likewise to Electric Bubblegum, Denver streetwear designer Hunter Higgins of Royal Outerwear also commented on the continuation of streetwear apparel and noted loungewear should be expected for seasons to come.
“Loungewear is very popular. Fashion has develop into more effortless and I think people experience that,” Higgins commented. The “Living Like Royalty” emblem emphasized the importance of the fashion world slowing down with trends, runway shows and halting an excessive quantity of new cloth into the world as new collections arise. “I try to price my time. Environmentally it is brilliant and stress point it is brilliant.”
Photo courtesy of Royal Outerwear.
Photo courtesy of Royal Outerwear.
Altogether, these creative minds sympathized with the rhythmical pattern of change in the style world.

They keep in mind and take observe of the future of fashion shift and embrace the remodel with open minds, open hands and open hearts.